After its sponsorship model changed from a single-headline partnership with Baileys, the Women's Prize is enjoying a golden summer of talks, workshops and a booming merchandise line backed by high-profile influencers.
From Sally Rooney to Raven Leilani, female novelists have captured the literary zeitgeist, with more buzz, prizes and bestsellers than men. But is this cultural shift something to celebrate or rectify?
The Nigerian-American author won the Orange Prize in 2007 and her ‘Half of a Yellow Sun' has been voted the best of the Women's Prize's 25 years of winners.
The Women's Prize has issued a statement saying that eligibility for the prize extends to "all women" where a woman is defined as "a cis woman, a transgender woman or anyone who is legally defined as a woman or of the female sex". Read more
Akwaeke Emezi, who became the first non-binary transgender author to be nominated for the Women's prize in 2019, has said that they will not let their future novels be entered for the award after the prize asked them for information on their sex as defined "by law". Read more
The Women's Prize for Fiction recently debuted an upcoming project which will mark the 25th anniversary of the prize: an initiative called "Reclaim Her Name" (#ReclaimHerName) which republishes famous works by twenty-five female authors who published under male nom-de-plumes in the 19th and early 20th centuries, including George Eliot, George Sand, Vernon Lee, and Arnold Petri. Read more
Women's prize sponsor Baileys has apologised for putting an illustration of the wrong black abolitionist on the cover of a book in a series republishing female authors who wrote under male pseudonyms - a project that has received mixed reactions since it launched earlier this week.
Middlemarch is to be published for the first time in almost 150 years under George Eliot's real name, Mary Ann Evans, alongside 24 other historic works by women whose writing has only ever previously been in print under their male pseudonyms.
The Women's Prize Trust is launching Discoveries, a writers' development programme offering aspiring female writers of all ages and backgrounds "encouragement and support" at the beginning of their creative journeys. Read more
‘I was very aware that because the manuscript has my name on it, people would just publish it, however bad it was, and I wanted honest feedback. I wanted to know that someone believed in the book and I truly enjoyed getting unvarnished feedback through my agent. There was one editor who did not like Strike having a famous father and made that point.
'My theatre background has probably helped me be a braver writer and maybe more rigorous, too: the theatre can sustain bold and abstract ideas, but not slow or sloppy storytelling'
Theatre producer Ellie Keel's debut novel, dark academia thriller The Four was published on 11 April by HQ.
In April of this year, Timothy Garton Ash collected his reward money for winning the prestigious 2024 Lionel Gelber Prize.
Today, in Kyiv, the Oxford University professor presented what he bought with it - a new set of reconnaissance drones for immediate use in the war against Russia.
Acclaimed for her accounts of the darkness and desire found in everyday life, ‘the Canadian Chekhov' has died, having suffered from dementia for more than a decade
Shimmr AI, an artificial intelligence start-up that aims to help publishers promote more of their list, has recruited a host of high-profile advisers from across the books industry, signalling the firm's plans to "deploy globally".
As Little, Brown's SFF imprint Orbit celebrates its 50th anniversary, publisher Anna Jackson reflects on its current record-breaking run and on building the brands of the future.