Streaming services are still eager to acquire TV and film rights to books despite reports of a decrease in the number of subscribers but are now more focused on known backlist IP that is less risky, agents and producers say.
The latest set of accounts published at Companies House also show pretax profits increased to £14.4m, from £13.2m the year before. TRDSC's former directors Luke Kelly and Claire Wright said the performance "exceeded expectations" with revenue 13.2% ahead of budget. Read more
When Sarah Pinborough's thriller Behind Her Eyes was published in 2017, even she described it as a "Marmite book". Her publisher slapped on equally dire warnings, hyping it with the hashtag #WTFthatending.
Netflix's blockbuster show, Bridgerton, has led to renewed demand for the Regency-era novels by Julia Quinn that form the basis for the eight-episode program. Netflix released Bridgerton on December 25 and since that time, HarperCollins's Avon imprint reports that it has sold a total of 750,000 copies of books from the series, including 285,000 copies last week.
Author Rumaan Alam kept his expectations low, even as the film rights to his upcoming book "Leave the World Behind" became the center of a bidding contest among Hollywood studios this summer. Read more
"Nobody knows anything ... Not one person in the entire motion picture field knows for a certainty what's going to work. Every time it's a guess and, if you're lucky, an educated one." Read more
Is Netflix a friend or foe to the book business? That question was addressed by the Global 50 CEO Talk 2019, which featured a conversation with Kelly Luegenbiehl, VP International Originals of Netflix, hosted by publishing consultant Ruediger Wischenbart and with the editors of global trade journals.
A JRR Tolkien expert working on Amazon's forthcoming multi-series adaptation of The Lord of the Rings has claimed that the retail and streaming giant has been refused permission by the estate to use the bulk of the book's plot.
Netflix will produce a new series titled Zero, an Italian-language show based on the work of 27-year-old Antonio Dikele Distefano, a formerly self-published Italian author whose books have sold hundreds of thousands of copies since he signed with Mondadori. Read more
‘I was very aware that because the manuscript has my name on it, people would just publish it, however bad it was, and I wanted honest feedback. I wanted to know that someone believed in the book and I truly enjoyed getting unvarnished feedback through my agent. There was one editor who did not like Strike having a famous father and made that point.
'My theatre background has probably helped me be a braver writer and maybe more rigorous, too: the theatre can sustain bold and abstract ideas, but not slow or sloppy storytelling'
Theatre producer Ellie Keel's debut novel, dark academia thriller The Four was published on 11 April by HQ.
In April of this year, Timothy Garton Ash collected his reward money for winning the prestigious 2024 Lionel Gelber Prize.
Today, in Kyiv, the Oxford University professor presented what he bought with it - a new set of reconnaissance drones for immediate use in the war against Russia.
Acclaimed for her accounts of the darkness and desire found in everyday life, ‘the Canadian Chekhov' has died, having suffered from dementia for more than a decade
Shimmr AI, an artificial intelligence start-up that aims to help publishers promote more of their list, has recruited a host of high-profile advisers from across the books industry, signalling the firm's plans to "deploy globally".
As Little, Brown's SFF imprint Orbit celebrates its 50th anniversary, publisher Anna Jackson reflects on its current record-breaking run and on building the brands of the future.
'What is so wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote, and brings to birth in us also the creative impulse.'