The Publishers Association (PA) has criticised the government's response to a House of Lords report on AI, saying that it has failed to make "any tangible commitments to protect the creative industries against mass copyright infringement".
OpenAI claimed it's "impossible" to build good AI models without using copyrighted data. An "ethically created" large language model and a giant AI dataset of public domain text suggest otherwise.
The conversation around artificial intelligence (AI) and its implications for publishing and the wider creative industries is very much live. Over the last year, every corner of our industry has been confronted with the colossal innovation in the generative capability of this new technology, with little known as to how it will impact our sector.
In an emphatic 47-page opinion, federal judge John G. Koeltl found the Internet Archive infringed the copyrights of four plaintiff publishers by scanning and lending their books under a legally contested practice known as CDL (controlled digital lending). And after three years of contentious legal wrangling, the case wasn't even close. Read more
The backlash to Puffin Books' decision to update Roald Dahl's children's books has been swift and largely derisive. The publisher has been accused of "absurd censorship", "corporate safetyism" and "cultural vandalism." Read more
After authors including Kate Mosse and Philip Pullman warned that proposals to change the UK's copyright laws could be "devastating" for writers, the government has paused its plans.
‘I was very aware that because the manuscript has my name on it, people would just publish it, however bad it was, and I wanted honest feedback. I wanted to know that someone believed in the book and I truly enjoyed getting unvarnished feedback through my agent. There was one editor who did not like Strike having a famous father and made that point.
'My theatre background has probably helped me be a braver writer and maybe more rigorous, too: the theatre can sustain bold and abstract ideas, but not slow or sloppy storytelling'
Theatre producer Ellie Keel's debut novel, dark academia thriller The Four was published on 11 April by HQ.
In April of this year, Timothy Garton Ash collected his reward money for winning the prestigious 2024 Lionel Gelber Prize.
Today, in Kyiv, the Oxford University professor presented what he bought with it - a new set of reconnaissance drones for immediate use in the war against Russia.
Acclaimed for her accounts of the darkness and desire found in everyday life, ‘the Canadian Chekhov' has died, having suffered from dementia for more than a decade
Shimmr AI, an artificial intelligence start-up that aims to help publishers promote more of their list, has recruited a host of high-profile advisers from across the books industry, signalling the firm's plans to "deploy globally".
As Little, Brown's SFF imprint Orbit celebrates its 50th anniversary, publisher Anna Jackson reflects on its current record-breaking run and on building the brands of the future.
'Who wants to become a writer? And why? Because it's the answer to everything. ... It's the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go down the drain, to make something, to make a great flower out of life, even if it's a cactus.'